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Miroslav Šašek

is Miroslav Šašek , and then ... others.
60 years ago, when there was no copy and paste the command + Z, digital simulations and cloning, the famous Czech and gave dignity to the profession with illustrations as beautiful as they ...

belonging to his book "This is London, one of the long series of illustrated guides turisitica he did in the decade of 50-60. Sap Šašek art have drunk many of today's great illustrators and their influence can be seen clearly in well-known illustrators as Mikel Casal, Miguel Gallardo and Jordi Labanda.

A sincere work, dedication, sense of humor and a great deal of love for the profession.
Highly Recommended ( This is London . 13 euros at FNAC).

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Hughes in memoriam

When will a great photographer is his eyes. Léglise-Bataille Hughes, excellent French street photographer and photojournalist died on Sunday in a serious car accident in Brazil along with six others, including his wife. I am an admirer of his fine work despite not having ever known, this news has saddened me and left me with a feeling of impotence, because it is not fair that someone so young and talented take him a stupid accident. Fortunately the images will live for eternity.

I believe that Hughes is now in a unknown place by a large photo-reportage and eye catching with its poetic and incisive small and large details of the beyond, to go even further ... as it always did with his photography. I will not say because he rest in peace, because this image does not fit me with someone who demonstrated through their work have a very restless spirit.

"Continue dans la bataille Hughes!"

leave here a link to your Flickr account and his personal website:

http://www.flickr.com/photos/hughes_leglise/collections/

http://leglise-bataille.photoshelter. com /

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Messianism

A poster in a shop capital city announced that they live there photos ... something like a messianic "get up and walk." Images displayed at once where it is clear that the purpose is to digitally colorize old black and white photographs, as if being a black and white were killed. I realize then that the main enemy of black and white has been the advertising ... Yes, the blatant advertising of trading with ideas always surface.

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often hear people say that this or that thing should not be in black and white. Although this does not mean necessarily that the phrase arises from the contribution of the photograph a certain vision of the world, it is difficult not to establish a relationship. The trouble is that this relationship is talk of white and black in a rather pejorative and I wonder how this will not affect that, by extension, look at monochrome photography as limited or superficial.

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The famous French film director Jean Luc Godard said that if the photograph was the truth, the cinema was the truth 24 times per second, rate at which the motion picture scrolls to make an impression fluid motion based on the phenomenon the persistence of vision. However, if you take a good picture is difficult, imagine now what is make 24 good images at this rate. why I walked away from the idea of \u200b\u200bmaking films ... To say whether they are truths or lies 24 times per second it seems a bit repetitive, because now I want to try to make short of a frame for eternity.

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The modern world is afraid of the static perhaps because it can be assimilated to death. So today the picture, which has always been static, increasingly tends to move in a virtual (that word so common now): sequences of several shots per second, "time lapses" sweeps, "blurs artistic" poses long-icing and mix the movement ... In short, a whole series of techniques which are very fashionable and collect for a wide audience. And last but not least, for many photographers the goal ... to reach the next summit, to dominate the video, which is undertaken without ever having studied in his own creative photography.

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Patience

will and a personal attitude towards life or the modern world, but I think we're going a step too fast. Everything happens in a way too fast and we are becoming less tolerant than even pejoratively call "Dead time": we transport and faster computers, more immediate communications and results of all kinds increasingly short term, even in human relations. In these conditions the exercise of the virtue of patience is increasingly compromised. From this perspective also analog photography as a way for me to exercise that virtue. This may sound too subjective and some extra-photographic, but the fact remains that everything in life we \u200b\u200bexercise from the subjective (of course, the same that many prefer to make digital photography of all things). So everyone who was managed with what you see fit, but I advise you not to dismiss the times and link it to the cultivation of patience.

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Oracle Fast food

Today many photographers would not be acceptable waiting time in analog exists between the time of shooting and one in which they can finally see the result (except when using films polaroid type). However, it is precisely this measure of patience inherent photo-chemical technology, which I find very attractive in it. Is c Laro also expected some time ago that represented to many a torture and therefore once Photo stores tried to capture customers with signs promising a "rapid development" (signs that are still in the villages, though now faded). But now that I think, that promise was also an oracle announcing the digital times to come and fast food.

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For many people take photos is reduced to a scene, frame and shoot anyway. That is all. Then the pictures are emptied into a folder on your computer and whether you look two or three times in a lifetime or while the hard disk is damaged. No there is no enjoy the challenge, the assessment of possibilities for use of photographic instruments (including processing), no enjoyment of photographic practice beyond the photo itself. For these people, photography is a fast food, a fast food . However there are other people, and I include myself among them, to take a photograph is a ritual, a mass if you will. And there it takes everything from specific outputs for the purpose of hunting images, attempting to enjoy the use of certain photographic tools, particularly if it is analog (as for example, I do not exactly feel no pleasure in using a telephone phone to take pictures).

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inhabited Camera

cameras are silent and others talking because they are inhabited. I do not know what the preferences of each, but I opted for the cameras to talk to me because they help me more in my work. And to know if they speak the volume in my hands, looked long and try to hear what they say ... and also to feel and understand what inspires me (if you do). Of the cameras I've known is my Leica IIIf the highest expression and does so with great elegance and eloquence ... I listen carefully and she thanks him modestly. Sure, I'm really grateful to the its benefits. And what you talking about? Ah, will not make that disloyalty because it is a secret between her and me.

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of the visible world is infinite. To capture at least a drop to study then carefully is something wonderful that we have to photograph and only her.

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Telebasureros of the world unite beyond


often happens in journalism as drink: the worst is mixed. There are obvious examples of bad journalism. So bad that even the justice, prosecutors are interested in their practice and that no further specific institutions dedicated to different content. A false journalism in which anything goes and that is so bad that flagrantly violates the law. With that journalism should not mix anyone professionally honored. What we are witnessing these days with the media circus that Telecinco has mounted about the trial of the case "Mari Luz." Paul Vassil, Ana Rosa Quintana (writer of a novel false plagiarized copy and paste) or Jordi González have nothing to do with journalism. They are crooks able to take advantage of a mentally handicapped to get what they call an exclusive, as if a unique (in this case or that ever) be justified by itself no matter what and the how. Are capable of that and of course, to make a good man as the father of Mari Luz in a pathetic character based on mixing his pain and poverty with the money, in this case 45,000 thousand euros, which they pay. They make a product impossible to see from a minimally conscious of evil and from decency. Therefore it is unacceptable that journalists like Charles Butcher (I've seen today), so fine analyst when speaking of Libya, democratic regeneration or political management of our governments, whether these programs palm Telecinco. Their presence is alibi of scoundrels, their reflections were intended to disguise the smell of sewage. His silences are complicit. No highlight Vassil bad journalism, or González Quintana, his contempt for human dignity is to be like them. The money does not justify everything. What will Butcher, whether between theme and topic brainy brainy, Angels Barceló in the SER, proposed as a debate the media treatment of "Mari Luz case?

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A short story a day

Date: Wed, February 23, 2011 11:23:21 +0100
From: info@algarcia.es
To: xxxxxxxx@hotmail.com
Subject: Hi Rosa Maria

Hello, how are you? I

Alberto García, editorial illustrator. I live in Spain and the reason for contacting you is to satisfy a curiosity, not about anything important or alarming. I am an extremely curious that a lot of attention to detail sometimes insignificant life.

not even know if you are the person that I want to talk, but anyway. I tell him without delay.

few weeks ago in a store selling second-hand, I found a very old encyclopedia, like the early 70's. It is a children's encyclopedia for volumes that caught my attention for the quality and charm of her illustrations (my office, so I gave some importance). Since it was very cheap price for being old and I bought a take home, hojeandola, I found, sorted by topic, appearing and illustrations by children, as fascinating and creative as a child can only be.

One of them particularly caught my attention. Under the heading: "I draw: What you see from my house" appeared a beautiful illustration of a house, strange, geometric, held as a window in blue and green. As a professional illustrator myself, I was haunted by the fact that a young girl could make a fascinating figure, as elaborate and creative, so original and yet so disturbing. An illustration that even I have been able to accomplish.

This illustration is signed by: Rosa M ª Len. Colegio Santa Ursula. Lima.

Then the resources of my innate curiosity pusieron a trabajar. Me dió por pensar qué habría sido de una criatura con tanto talento. Pensé que tal ve se hubiera dedicado a lo mismo que yo, a dibujar, y quise conocer qué habría sido de la autora. Así que corrí a Google, tecleé su nombre y apellidos restringiendo la búsqueda a Perú y sólo pude encontrar a alguien con este apellido en ese país que tuviera presencia en internet de alguna manera.

Es por eso que me animé a escribirla, para confirmar si realmente era usted la autora de ese dibujo que me tiene tan fascinado, y preguntarle si acaso tenga aún el dibujo como afición ya que, si la obra es original, debe usted de tener bastante talento para esto. Tengo entendido que se devoted to architecture, is also a creative expression and is closely related to the art world. And with this house so mysterious is why all this research.

Forgive me if I stole some of your time, but my curiosity I could. As I always say I attend to the requests of my curiosity, because curiosity is the mother of all knowledge and learn. It is very gratifying to know how you can now keep track of someone you do not know anything at all but you join one of the simple but wonderful coincidences of life.

A warm embrace from Spain. _____________________________________



Dear Alberto, I
thank you for so much praise. What you liked it so much that work and that you were able to communicate with me. It is true that now the world is like right around the corner.
'll tell you that being in school, I was 12 years old, the mother who taught us drawing course, we selected me and another student of the same section to participate in a contest that gave me more detail. The following year I got the surprise at the whole school that had won that contest and the representative of the Editorial Marín handed me a diploma that said the work would be published in the Encyclopedia of the Children's publisher. After a vendor was to offer to my parents the encyclopedia but pity not bought and the original work remained in Spain. If you can take a picture or scan thank you very much.
As I have recently moved into an apartment in the basement I have a diploma packed but now with this news I will dedicate myself to hang in a suitable place and all thanks to his tenacity in the search, as you say. I have not noticed why I go out via the Internet but we belong to an Association of Landscape Architecture already has a presence in this area (recently attended a congress of PARJAP-Assoc. English-parks and gardens in Lima)
I am now an architect, a career that I liked and although I do not do drawing as you if I think I'll take some classes when I have more time.
Well, again thanking all described in the mail I send you a cordial greeting. Rosa María Len

Froletz

_________________________________

The picture in question: